A KILLER Collection...

HOW TO RECOGNIZE A DEMON HAS BECOME YOUR FRIEND by Linda Addison (2011 Necon eBooks / 112 pp / eBook and tp)


Addison's collection of poetry and short stories leans on the dark fantasy/horror side and is sprinkled generously with some nifty (and at times funny) sci-fi.


Among my favorite stories were 'The Power,' about two young girls learning how to use witchcraft via their grandmother in the wake of an attack from granny's old nemesis; 'Excerpts from the Unabridged Traveler's Guide as UFOs in Galaxy A.G.2' is a short but hysterical piece that gives light to some popular UFO myths; 'Just Passing Through' is a cleverly-written short that features a human communicating with a supernatural life form; 'Artificial Unintelligence,' another funny sci-fi romp told in humorous e-mails, and finally 'Boo,' a genuinely terrifying look at paranoia on Halloween night.


My favorite poems include 'Land Sharks,' an inventive and fun urban fantasy of sorts (and originally appeared in an issue of the famous Asimov's SF Magazine), 'Comic Cannibals,' 'Demon Dance,' and the title piece also display the author's skill at dark verse.


 There are many more tales and poems here, and not a slow one in the bunch.  This is a fine introduction to Addison's world and a trip well worth taking.

Worms, Parasites, and Wolf-Spitting Bears!

GIGANTIC DEATH WORM by Vince Kramer (2011 Eraserhead Press / 70 pp / tp)


In yet another offering in Eraserhead Press' New Bizarro Author Series, don't expect a singular title monster: not only are there multiple death worms (of various sizes) on the loose in Arizona, there are also hungry bears who spit wolves, rampant brain parasites, and flying Mexican ninjas who aid our protagonist in battling the creatures and saving his big-boobed buddy Suzanne (who has become a worm-headed mutant).  There's also more sex and beer-guzzling than in every 80s teenage comedy combined.


This is Kramer's take on the 2012 Mayan prophecy thing, written like a deranged pre-school teacher allowed her strangest student to experiment with a new form of liqud crack after handing out paper with neon crayons.  If this brief novelette doesn't cause you to laugh 'till your ribs hurt, you're taking life too seriously.


Bizarro doesn't get much funnier (or entertaining) than this.

Zombies and Shit

My review of bizarro maestro Carlton Mellick III's twisted zombie novel, ZOMBIES AND SHIT, is now LIVE over at:

The CROW'S CAW

Clapping With One Hand: Jodorowsky's Spiritual Journey

THE SPIRITUAL JOURNEY OF ALEJANDRO JODOROWSKY by Alejandro Jodorowsky (2008 Park Street Press / 252 pp / tp)

THE SPIRITUAL JOURNEY OF ALEJANDRO JODOROWSKY by 

Unless you're a BIG fan of the Chilean cult film director, you'll probably get through some of this and wonder what the bid deal is. While fans will see how some ideas for his unusual films came to be, Jodorowsky's intent here is to explain what it takes to understand koans, i.e. metaphysical questions given to practicing Buddhists by their masters.

Much of what happened to Jodorowsky on his spiritual journey was quite amazing, from the way he met his master, Ejo Takata, a Zen monk who left Japan and wound up in Mexico after a string of odd incidents, to his relationship with the famous actress Salgari (a.k.a. The Tigress, who was also the alleged mistress of Mexico's president), to his unusual "awakening" under the hands of Dona Magdalena, a spiritual masseuse who rescued him from an attempted rape by five young male attackers.

We see some of his artistic influence come from a brief relationship with surrealist painter Leonora Carrington, and chapter 9's recollection of Jodorowsky's time with Mexican historist Reyna D'Assia is funny, erotic, and would make an entertaining film on its own.

If any section here would be of interest to film fans, it's the lengthy appendix, titled 'A Collection of Ancedotes,' where we learn how the director became reconciled with producer Allen Klein (a meeting that led to the official DVD releases of Jodorowsky's films). We're also given a lot of information on the production of the failed DUNE adaptation, and learn of an intentionally unfixed technical flaw that has remained unnoticed in one sequence of EL TOPO since its 1970 premiere. Jodorowsky then explains why the heavily rumored EL TOPO sequel has yet to happen, and tells of his talks with the film's proposed star, Marilyn Manson.

Considering the endless hours Jodorowsky spent in intense meditation and other self-depriving Zen practices, it's hard to believe he had time to create some of the most unique films of all time, PLUS pen a series of successful graphic novels as well as books on Zen and the Tarot...not to mention directing theater in his early days.

While Jodorowsky himself might disagree, I believe he--as a student and eventual master of Zen Buddhism--has answered many ancient koans THROUGH his films and other works. And now, knowing some of his deeper mindsets, I'm betting the next time I watch one of his films it'll be in a whole new light.

Must reading for hardcore fans, despite the repetitive nature of some sections dealing with koan contemplation and Zen practicing.

Rollin's Finest in HD

REDEMPTION FILMS have recently released five titles by the late French director Jean Rollin in new, HD transfers from the original 35mm prints (available on both DVD and blu-ray).  The first one to enter my collection is 1979’s FASCINATION, arguably one of Rollin’s best-looking films.

The year is 1905.  A group of high society types meet at a secluded butcher shop to drink the blood of oxen, allegedly a cure for anemia.

Jump across town to a thief named Mark who has just screwed four other thieves out of their share of a bag of gold.  Mark takes the one female thug as a hostage, but she manages to escape.  On his journey through the beautiful French countryside en route to London, Mark comes across an isolated mansion and decides to hide there until dark (the four thieves are on his tail).  Inside the mansion he meets two mysterious women, Elizabeth and Eva (played by the beautiful Franka Mai and the legendary Brigitte Lahaie) who he attempts to hold prisoner until he leaves.  But the women prove too slick for him, and eventually convince him to stay for a special reunion they’re having that night.  They won’t tell him who their special guests are, and Mark continues to ask why no one—not even the servants—are home.

When Mark tries to leave the next morning, the four thieves are waiting for him.  He’s trapped, but Eva decides to give the thieves the bag of gold in exchange for them leaving Mark alone.  She takes them to the barn for them to count the coins.  She seduces one thief, then dons a long, black cape and a scythe and dispatches the group (the effects aren’t very convincing, but the site of the lovely Lahaie in nothing but a cape makes up for it).  The last thief to get killed is the female, who Eva takes down with her scythe on the narrow foot bridge that leads to the mansion, also one of Rollin’s most iconic sequences.

When Elizabeth and Eva’s house guests arrive, they play a game of blind man’s bluff with Mark.  When what they intend to do to him is revealed, Elizabeth helps Mark escape, hiding in a giant pigeon coop.  Back at the mansion, the female guests (all dressed in ceremonial see-through robes) turn on Eva and take her down on the foot bridge, drinking her blood.

Mark confesses his love for Elizabeth, but she claims she’s not able to love him back and shoots him.  She returns to the site of her one-time lover Eva being drained of her life fluid, and the film ends as she is welcomed back into the blood-drinking cult by their leader.

If you’ve never seen a Jean Rollin film before, be advised that his films aren’t action packed, are often surreal, and rely more on atmosphere and mystery than gore and scares. In the case of FASCINATION, Rollin has created a group of aristocratic blood drinkers who aren’t vampires per se, but rather those who took a step too far in their fear of succumbing to a wide spread disease.  But considering Rollin’s use of a castle, capes, and much gothic scenery, it’s easy to label FASCINATION as another one of his vampire films.

Brigitte Lahaie and Franca Mai have never looked better, and here make an intimidating bi-sexual duo.  While there’s ample nudity (a Rollin trademark), it isn’t the centerpiece of the film, nor are the kill scenes.  The film’s ambiance and longing to find out who these mysterious house guests are keeps things moving, albeit at the director’s unique pace.

Redemption’s High-Def DVD looks absolutely gorgeous, and features a few nifty extras, the best being a 24-minute interview with Jean Rollin from a UK TV program called EUROTIKA!  Also included are two deleted sex scenes which the director shot in case he needed to turn FASCINATION into a soft core film (there’s no sound in these scenes, but Lahaie fans will love them anyway).  There’s also original French trailers for this and the four other titles Redemption has remastered, plus a 20-paged booklet with an informative essay written by Tim Lucas of Video Watchdog magazine.

Jean Rollin is definitely an acquired taste, but if you’re looking for a different take on vampirism, give FASCINATION a shot.  It’s one of the director’s best achievements, and is simply a beautiful film to look at.

 A prime example of Rollin's gore-geous scenery

 Mark realizes too late that Elizabeth is truly nuts...

 Elizabeth returns to the fold...

 Brigitee Lahaie and Franca Mai, two of the most beautiful sirens of euro cinema

 Death never looked so good...

 Eva seduces then takes out the first thief

The ladies play blind man's bluff with Mark

Jessie Shimmer Returns

SWITCHBLADE GODDESS by Lucy A. Snyder (2011 Del Rey / 323 pp / mmp)


The third in Snyder's Jessie Shimmer series finds our favorite mossberg-toting occult heroine sort-of recouping in a small Texas town after the events of SHOTGUN SORCERESS.  Like the pervious novels, the action kicks right in: Jessie is on a mission to get her familiar, Pal, healed.  He's still in the form of a giant arachnid yet has been sickened from bites by a pack of wererats.  Standing in her way is the brutal demigoddess Miko, who has found a way to enter Jessie's 'hellement,' a personal realm that has now become a torture chamber for Jessie and her boyfriend Cooper.


Jessie is still trying to control her ectoplasm-firing hand as well as her mystic-stone eye.  This time she's aided by her father (who commincates with her through compact mirrors), an energy potion concoted by her brother, and a humorous but sincere old witch who helps to heal Pal (I like what becomes of him).


Miko, the Switchblade Goddess of the title, is as sexy as she is hell-bent for blood and destruction.  Her backstory is one of the finer sections of the novel, and the torments she imputes to Jessie are beyond grim.


I'm loving this fast-moving series that combines modern urban fantasy with generous amounts of horror, action, monsters, and the supernatural.  Another cross-genre winner from Snyder.

The First GREAT Novel of 2012...

DESTROYER OF WORLDS by Daniel G. Koehane (2012 Other Roads Press / 181 pp / tp and eBook)


Corey Union moves his wife and young daughter away from the city to an isolated home.  Paranoid the world is about to end, he forbids newspapers or TV news from coming into the house.  He continues to travel to the city to work, and spends his off-time exploring his new vast, wooded property.  He also locates the key to a family heirloom; an ugly old clock, which eventually plays into his end-times apprehension.


Corey and his wife Samantha's closest neighbor is an attractive woman named Vanessa, whose actions being to trouble Corey.  She seems nice enough, but it becomes apparent she's attracted to both of them and things start to get uncomfortable.


And just why is Corey haunted by a local serial killer who is now locked behind bars for life?


DESTROYER OF WORLDS is a brilliant novel where nothing is as it seems.  The first half reads like a clever take on the end-times thriller genre with a serial killer sub-plot to give it a unique flavor.  But by the second half, Koehane assaults the reader with so many twists, turns, and surprises you won't know which way is up or down.  Add a satisfying conclusion and you have the first must-read novel of 2012.  Don't miss it.